In The Room With Reitzas

amoergosum
Posts: 1687
Joined: Tue Oct 12, 2010 9:20 pm

In The Room With Reitzas

Postby amoergosum » Thu Apr 11, 2013 10:17 pm

Welcome to the first installment of "In The Room With Reitzas"
Over the years I have collected dozens and dozens of videos of special moments throughout my career as an engineer and mixer. About once a week (maybe more, maybe less), I'll be uploading these moments for everyone to enjoy.
I thought I'd start off with a session I did with Producer David Foster at The Record Plant.
We did the 1st U.S. record for the Irish family group "The Corrs" and had awesome drummer Simon Phillips add his magic to 2 songs.


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amoergosum
Posts: 1687
Joined: Tue Oct 12, 2010 9:20 pm

Re: In The Room With Reitzas

Postby amoergosum » Thu Apr 11, 2013 10:45 pm

• In an interview for Music Maker Magazine, Caroline explains the decision to hire Simon Phillips to play drums on Toss the Feathers:
Question: "On one song, "Toss the Feathers", Simon Phillips plays drums. Why is that?"
Caroline: "That song needed a special rhythm section, that's why we invited Neil Stubenhaus on bass and Simon Phillips on drums. He brought in this gigantic drum-kit and I thought 'Wow! What in Gods-name are all those drums for?' It takes enormous discipline. He's brilliant. But I had one problem. I had to learn that part for the live-shows. That took quite some effort, but I can manage now. Yes, I also play that complicated break, although I do it my way."

• On his website, Simon Phillips has a quote recalling the recording session for Toss the Feathers:
Question: "I was curious how you go about preparing a drum track for a session with an artist ("Toss the Feathers" by the Corrs springs to mind). Is it a case of receiving a "rough demo" to familiarise yourself with the track first, and is your first meeting with the band / artist in the studio? Would you jam a couple of takes first?"
Simon Phillips: "The session with The Corrs went like this: I was called by the session co-ordinator to see if I was available. David Foster had asked specifically for me. I was available so I was booked and turned up to the Record Plant. I met the band - Bob Clearmountain was engineering so I knew him. We discussed microphones and then I went out to get a drum sound. I took a listen to the track - maybe I made a chart, can't remember, and then played it down a couple of times. I really don't remember how many takes it took or whether I did a couple of drops but I actually played 2 tracks that day. It was a really fun track to play and totally up my street."


Source:
http://www.thecorrsclub.com/references/ ... gs/TTF.php

percusski
Posts: 223
Joined: Tue Oct 12, 2010 1:28 am

Re: In The Room With Reitzas

Postby percusski » Fri Apr 12, 2013 3:15 am

Anyone who has recorded in any sense knows how great that is, totally nailed the time, energy, groove..really impressive!

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