Paul Marangoni wrote:AllenS wrote:Some intagible variables, I imagine, relating to personality, temperament, work ethic, and versatility/adaptability.
I suppose the combination of chemistry, timing, and effort in a band setting, or at least a setting with other musicians in the room, goes a long way....
This is so obvious that it doesn't need to be posted. That was my point. What good is technical facility on an instrument if you're not a "good musician"? The whole point of this topic is beyond me apparently.
A good drummer = a good musician. They are one and the same.
I agree with Paul- there's no need to create any separation. I think when you're younger and starting out you find yourself inspired by the musician aspect, eventually you get involved in the 'drumming' aspect and relate everything to chops, and then once maturity settles in you realize there's no relevance to 'drumming' if you're not thinking about the music first. It's almost as if people don't treat drums like everyone else treats someone that plays an instrument- and a lot of that is within the drumming community.
Also, in regards to this:
Avi_drums wrote:I think he's really talking about drummer/musicians with a skill set more applicable to 'simpler' mainstream music, and what it takes to be that guy. It's rare someone can kill it in multiple genres. Some good drummers think more 'drumistically' and might not be in tune with the way a pop producer thinks, etc etc. They can be extraordinarily egocentric, insular and kind of snobby in their thinking, which might be okay on the one hand, when they need to shed. But not so good in other ways.
...I don't know about you guys, but if I turn on a 'pop' music station on the radio, I'm not really hearing much drums at all. Drums & groove in mainstream pop music (i.e.: EDM, hip-hop, etc- with a few exceptions here and there of course), are (sadly) almost a thing of the past. It's not really relevant anymore.